March 28 – April 3: “Discuss some of your favorite ‘door’ scenes.”

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March 14 – 20: “Must religion always be a clash?”

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March 7 – 13: “How many thrillers do you read each year?”

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February 29 – March 6: “Does an author’s voice evolve with each novel?”

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February 22 – 28: “Is juggling multiple points of view more, or less, challenging?”

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February 15 – 21: “As a thriller writer, do you read or write in other genres?”

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February 1 – 7: “Which matters more – sentence structure or word choice?

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January 25 – 31: “Do thriller writers have conservative or liberal leanings?”

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January 18 – 24: “Describe your favorite techniques for strong pacing.”

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January 11 – 17: “Are the lines between good and evil increasingly more ambiguous in modern thrillers?”

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January 4 – 10: “Are random character generators going too far?”

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December 14 – 20: “Are thriller writers active enough on social media?”

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December 7 – 13: “Are underdog characters as popular in international plots?”

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November 30 – December 6: “Is poison as a murder method old-fashioned?”

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November 16 – 22: “Oh, the Holidays…can we integrate them into our plots in a seamless way?”

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November 9 – 15: “How to accurately write dialogue, settings or historical events.”

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November 2 – 8: “What does it take for a book to be a thriller?”

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October 26 – November 1: “Do you find it more difficult to just read for pleasure?”

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October 19 – 25: “Does the layout of your home make appearances in your novel?” 

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October 12 – 18: “Should a writer try to stay current, or avoid trends altogether?”

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October 5 – 11: “What is the best change you ever received from an editor? The worst?”

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September 28 – October 4: “Must a thriller prompt fear in readers?”

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September 21 – 27: “Have you given up your day job to write thrillers full-time?”

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September 14 – 20: “Consistency, logic, commas?”

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