September 26 – October 2: “Can there be too many surprises in a thriller plot?”

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September 19 – 25: “Do you interact with readers on Goodreads?”

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September 12 – 18: “Have you created characters with moral ambiguity?”

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September 5 – 11: “What is the best point of view for a thriller?”

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August 29 – September 4: “Do thriller writers have a responsibility not to put ideas into the heads of would-be criminals?”

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August 22 – 28: “Are thrillers naturally noir?”

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August 15 – 21: “Who is your favorite protagonist of all time?”

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August 8 – 14: “How do writers alter thrillers for appeal to a YA audience?”

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August 1 – 7: “Tone: does consistency counter the unexpected and suspense?”

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July 25 – 31: “Are broken-hearted villains suspenseful?”

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July 18 – 24: “Dialogue can be tricky. How do you do it?”

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July 11 – 17: “Can you identify leading trends among this year’s crop of nominees for ITW awards?”

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June 27 – July 3: “Do your characters have favorite cocktails and meals for the summer?”

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June 20 – 26: “Can you write from any location?”

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June 13 – 19: “What are your favorite countries for settings?”

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June 6 – 12: “Are you satisfied with the number of reviews your books receive?”

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May 30 – June 5: “Characters: do you start from scratch or use models?”

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May 23 – 29: “What is the best clue you’ve inserted into a novel?”

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May 9 – 15: “What are your favorite places for settings, and why?”

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May 2 – 8: “What are your characters’ favorite activities?”

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April 25 – May 1: “Imagine you could reach out to any author and ask a single question.”

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April 18 – 24: “How do you avoid writer’s block?”

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April 11 – 17: “How do you create fresh and unique action scenes?”

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April 4 – 10: “Do you need music or absolute silence when writing?”

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