October 15 – 21: “How much value do authors place on social media?”

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October 8 – 14: “How does a stand-alone novel become a series?”

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October 1 – 7: “Besides Google, what’s your most common research tool?”

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September 24 – 30: “How do writers invite readers into the conspiracy?”

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September 24 – 30: “How do writers invite readers into the conspiracy?”

September 17 – 23: “Is the theater standard of a three-act play valid for thriller novels?”

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September 3 – 9: “What can thriller writers learn from the comics industry?”

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August 27 – September 2: “How do you raise the stakes to the next level?”

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August 20 – 26: “How would you blend a mystery and a thriller?”

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August 13 – 19: “How do you write, from the seat of your pants or are you a planner?”

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August 6 – 12: “Do you enjoy films with authors as protagonists?”

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July 30 – August 5: “What is the best clue you have inserted into a novel as a writer?”

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July 23 – 29: “How do you choose your character’s names?”

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July 16 – 22: “How do you set up those grand, loud, all-out climaxes?”

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July 9 – 15: “What is the most common mistake writers make in approaching an agent?”

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July 2 – 8: “How much editing/revisions do you do before sending a new project to a publisher?”

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June 25 – July1: “Can you define the one thing that makes you sign an author?”

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June 18 – 24: “What’s the advantage of having a blurb from another author?”

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June 11 – 17: “How long does it take you to finish the first draft?”

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June 4 – 10: “How do you plan your summer writing schedule?”

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May 28 – June 3: “How do you deal with writer’s block?”

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May 21 – 27: “First person or third person or something else?”

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May 14 – 20: “Do you prefer to write during the early morning or the dead of night?”

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May 7 – 13: “What’s the main difference when writing a short story as opposed to a novel?”

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April 30 – May 6: ” How do you add realism to your dialogue?”

By ITW