September 1 – 7: “Do you fling a book aside when you spot an error or stop reading after spotting some inaccuracy in technology or place?”

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August 25 – 31: “Are there specific requirements for dialogue in thrillers?”

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August 18 – 24: “Do day jobs get in the way of writing thrillers – and when do they help?”

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August 11 – 17: “Do you have a favorite, lesser known source for international news?”

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August 4 – 10: “Are author blurbs over the top?”

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July 28 – August 2: “How has climate change affected the way we write about weather?”

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July 21 – 27: “Do you read or write in other genres?”

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July 14 – 20: “How do you organize plot as a writer?”

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June 23 – 29: “How do your reading and writing habits change in the summer?”

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June 16 – 22: “How has an editor’s advice helped with your story?”

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June 9 – 15: “Are thriller writers biased? Or do some of us go too far in trying to beat down stereotypes?”

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June 2 – 8: “Are thriller writers particularly pressured to write too fast?”

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May 26 – June 01: “Can a plot get too intricate?”

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May 19 – 25: “What happens when Hollywood calls?”

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May 12 – 18: “What are the secrets to creating a popular anti-hero?”

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May 5 – 11: “How do you separate the author from your characters?”

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April 28 – May 4: “Share an anecdote from when you used an incident from your own life in a novel.”

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April 21 – 27: “Do you enjoy reading books out of season?”

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April 14 – 20: “Is fact really stranger than fiction?”

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April 7 – 13: “What are the dangers of modeling characters after people you know?”

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March 31 – April 6: “Do characters speak to you?”

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March 17 – 23: “Moral protagonists: rebels, or visionaries?”

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March 10 – 16: “What can thriller writers learn from the movies?”

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March 3 – 9: “With the huge numbers of books published, is it possible to identify the “best”?

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